To All Awards

2020 Student Awards

For over 25 years, the Applied Arts Student Awards have given students a competitive advantage as they enter the workforce.

Winning a student award just might help students land their first job in the creative industry, but winners don't just get a boost in self-confidence. They also have their work published in our Student Awards Annual and online in the Applied Arts Winners Gallery – seen by more than 50,000 influential creative professionals working in the visual communications arena.

"I won an Applied Arts Award as a student at AU Arts, and it was a very exciting boost in my early career."

Morgan Curley, Partner & Designer, Bamff Studio, Calgary, AB, Alumni of Alberta University of the Arts.

The Applied Arts Student Awards competition is open to high school and post-secondary students completing a degree/diploma studying in a creative-arts programs; such as:

2020 Call for Entry Kit 2020 Student Awards Categories Kit

2020 Student Awards Jury

As students are the future stars of our industry, we feel it's critical to have our Student Awards judged by an award-winning and multi-faceted panel of judges. Amongst our jurors you will find both old masters and young bloods, big agencies and small design firms, big-budget clients and small projects, art directors and designers with expertise in every area of visual communications. See who'll be choosing the cream of the crop of student work this year.

Natalie Armata
Co-Founder & Chief Creative Officer
Giants & Gentlemen
Toronto, ON
Alumni of OCADU

Natalie has always made the impossible possible. No challenge has been too great: from rising to the top of her field in art direction and design, to starting an advertising agency, she can simplify the overwhelming into the achievable with her razor sharp vision, resilience and tireless energy. She's worked on every category at many of the top agencies, like FCB, Bensimon Byrne and TAXI, winning many industry awards in the process. As a Registered Graphic Designer, she mentors students and supports the industry. She fearlessly launched Giants & Gentlemen based on her own ethos that she never wavers from: Be Brave, Be Decent.

Ryan Booth
Creative Director, Design
Zulu Alpha Kilo
Toronto, ON
Alumni of St. Lawrence College

Ryan is an internationally recognized multi-disciplined graphic designer. Over the past 18 years, he has been a member of a handful of award-winning creative teams, and his work spans brand identity programs, packaging, interior design, advertising and photography. Ryan is currently Creative Director, Design at Zulu Alpha Kilo, named Strategy Magazine's Design Agency of the Year for 2018.

Ellen Bruss
Creative Director
Ellen Bruss Design
Denver, CO
Alumni of Michigan State University

Ellen's firm, EBD, specializes in the intersection of real estate and retail, addressing branding, corporate identity, marketing collateral, digital design, environmental design and consumer packaging. Her current side project is developing a hospitality brand, Hotel Born, which opened in Denver, Colorado in the fall of 2017. She was the creative director for the interiors, art collection, branding and signage for the project. EBD's creative efforts have resulted in national and international recognitions in over 200 publications, including Graphis, Print and HOW. Ellen was featured in GDUSA's 2019 Responsible Designers to Watch.

Matthew Clark
Founder & Creative Director
Subplot Design Inc.
Vancouver, BC
Alumni of The University of British Columbia

Matthew is an internationally recognized creative director and designer based in Vancouver, Canada. Founder of Subplot Design Inc., he is also an author, mentor and public speaker known for his opinionated (amusingly?) take on branding, design, and the world of marketing and advertising. Matthew's work, which focuses on retail branding and packaging, has been recognized with over 200 local, national and international awards; has been published in over 75 articles worldwide; and is part of the permanent collections of the Chicago Athenaeum Museum and the Design Exchange. He is also a drawer, painter, and sword-play-dance-party-pantomime dad and husband.

Simon Creet
Partner, Chief Creative Officer
The Hive
Toronto, ON
Alumni of Queen's University

A towering figure in the biz (he's literally 6' 4"), Simon sets the creative bar high and ensures that brands stay ahead in this constantly changing world. As the Hive's VP, Chief Creative Officer, he strives to arm clients with the ideas, executions and platforms to make them leaders in their categories by developing ideas that can turn a challenge into a chance; an obstacle into an opportunity. Current clients include Coca-Cola, Heineken, Ontario Power Generation, OLG, and McCain, among others. Creatively curious, Simon and his team go where the ideas take them.

Morgan Curley
Partner & Designer
Bamff Studio
Calgary, AB
Alumni of Alberta University of the Arts

Born with a can-do attitude and an unreasonable amount of creative confidence, Morgan is a brand designer and partner at Bamff, based in good ol' Calgary. Since earning a BDes from the Alberta University of the Arts, she now works on a variety of branding, digital and editorial projects that usually involve the colour pink. Morgan's work has received national and international recognition by Applied Arts, Communication Arts, the GDC, Graphex, How Magazine, Graphis, and The Mohawk Show. She's stoked to work with Bamff's design-focused clients to make thoughtful, impactful and tactile ideas come alive through design.

Sarah Di Domenico
Partner, Creative Director
Montreal, QC
Alumni of OCADU

Sarah is VP, Partner and Creative Director of Wedge - an independent design-driven creative studio based in Montreal that drives desire, where thoughtful projects sing to both head and heart. Sarah leads the creative vision of a variety of projects, working closely with big brands and founders alike, to define their distinct voice, perspective, and character in culture. After 10 years' working in traditional agencies, on global pitch teams, and contributing to award-winning work for clients such as Volkswagen, The North Face, IKEA, and Samsung, her creative purpose is now inspired by pushing brands and products to reflect a more progressive point of view, shift ways of seeing, and/or raise the visual vocabulary of everyday life as a way to invite joy, meaning, and discovery in. This she believes, is the future. This is what design can do.

Spencer Dingle
Associate Creative Director
Toronto, ON
Alumni of George Brown College

Spencer has worked on award-winning campaigns with some of the world's biggest brands including Nike, General Mills, McDonald's, Mercedes-Benz, Campbell's and SickKids hospital. His work has been awarded in nearly every local and international awards competition including the One Show, D&AD, Cannes Lions, LIA, Webbys and ADCC, as well as being featured in a number of publications including Communication Arts, Lürzer's Archive, and Applied Arts. Some award highlights include 4 Cannes Lions, among them Canada's first Grand Prix in 10 years, Gold at One Show's 'One Screen' Film Festival, and Grand Prix at McDonald's 2019 Feel Good Awards, which is awarded by McDonald's global senior management to the best campaign of 2019 from all over the world.

Martin Dupuis
Art Director
Montreal, QC
Alumni of Dawson College

Martin is an award winning Montreal-based art director with a background in cinema, fine arts, illustration and graphic design. He was born in Quebec but grew up in New Brunswick, returning to study graphic design at Montreal's Dawson College. Ever since his first childhood drawing of Snoopy made it to the fridge door, Martin's appetite for pop culture has grown to omnivorous-bordering-on-obsessive proportions, especially when it comes to film, music and the visual arts.

Caroline Friesen
Associate Creative Director
john st.
Toronto, ON
Alumni of Humber College

Caroline started as an art director in 2014 working on campaigns like the Koodo Choose Happy brand launch. Her work has been recognized by Applied Arts, D&AD, Communication Arts, ADCC, Effies, Cannes Lions, Cassies, and the Strategy Awards. She was recently awarded Strategy's Campaign of The Year for No Frills Haulers. She is also a co-founder of Good Fun Club, an art night held monthly with a focus on making art for the sake of making it - no deadlines, no clients, no judgements.

Sara Morley
Creative Director
Design Postimage
Montreal, QC
Alumni of Concordia University

With a focus on developing visual identities and campaigns for independent films, festivals and art exhibitions, Sara has a keen interest in projects with a social mandate. Collaborations include the National Aboriginal Council of Midwives, the Hemispheric Institute of Politics and Performance, the Canadian Association of Midwives, and the Native Access to Engineering Program. She loves books and creates architectural publications for national real estate developer Canderel. Originally from the UK, Sara is also a video artist and documentary filmmaker, and is currently in postproduction on the doc Tea with Nell — a love story and portrait of old age that features her British grandmother.

Leia Rogers
Managing Partner, Creative Director
Vancouver, BC
Alumni of University of Victoria and Langara College

Leia is an award-winning creative director and managing partner at Rethink. She is a multi-disciplinary creative, beginning her career with a copywriting internship, then moving to the design department, and eventually landing in art direction. She has led campaigns for A&W, UNIQLO, Nike, Shaw, Coast Capital Savings, BCAA, and Playland. She's particularly proud of her effective and press-worthy work with not-for-profits she believes in, including the YWCA, Dogwood BC, the Alzheimer Society of BC, and The Canadian Fair Trade Network. Her campaigns have been recognized nationally and internationally by Cannes, Clios, Communication Arts, Applied Arts, Marketing, Archive, and the ADCC. Outside of work, Leia spends most of her time trying to reason with her 3 year old.

Paulo Salomao
Partner, Executive Creative Director
King Ursa
Toronto, ON
Alumni of Toronto Film School, Humber College & OCADU

Paulo is a passionate cross-platform thinker with a unique understanding of market trends and pop culture. He continuously looks to push the boundaries of his skillset, including film production, computer animation and front-end coding. Dissatisfied with the siloed status quo of large advertising agencies, Paulo and business partner Eric Vieira crafted a new model based on interdisciplinary collaboration, resulting in work that is "Strategically Grounded, Creative UnleashedTM". That vision came to life in King Ursa, a full-service advertising agency with a client list that includes Moosehead Breweries, Timberland and Shopify. Focusing on end-to-end planning and production, King Ursa brings research and analysis, strategy, creative, content production and media all under one roof. Never one to rest on his laurels, Paulo has most recently co-created the successful health and wellness brand One Academy, a multi-award winning business with a thriving community.

David Walker
Partner & Creative Director
Saint Bernadine Mission Communications Inc.
Vancouver, BC
Alumni of School of Visual Concepts

As Partner and Creative Director, David applies strong creative and strategic skills to solving communications problems for clients across a wide range of industries. His focus on thought leadership in a multi-disciplinary environment leads to work that both wins awards and builds clients' businesses. David has embraced opportunities to weaponize branding and design to be an organization's most valuable asset.

Lizzie Wilson
Associate Creative Director
New York, NY
Alumni of the School of the Art Institute of Chicago & Miami Ad School

Bold is a word that describes Lizzie Wilson – both personally and professionally. She's one of the creative duo behind the Cannes Glass Lion Grand Prix winning – and international buzz-making – "Fearless Girl". Lizzie took a risk and changed careers when she found her first career was no longer fulfilling, and moved to NYC to attend Miami Ad School for art direction where she discovered her creative calling. Since then she has been recognized as an industry leader, with accolades including 50 Most Daring Entrepreneurs by Entrepreneur, one of 100 People Who Make Advertising Great by 4A's, Creatives You Need to Know by AdAge, one of Fast Company's Most Creative People, AdWeek's Creative 100 and AdAge's Creative of the Year 2018. Lizzie's work has been recognized by numerous prestigious international awards including Cannes, D&AD, Clios, the ANDYs and the One Show.

Michael Zavacky
Art Director
Ottawa, ON
Alumni of Concordia University

Michael started his career in Montreal, learning the trade from the old, pre-digital Mad Men pros of the ad biz and eventually settling in Ottawa where he became one of the founding members of McMillan in 1996. With over 30 years of experience in the ad industry, Michael has gathered numerous awards for his creative work and has twice been selected to design stamps for Canada Post. He has won global acclaim for his illustration and poster design work, including being featured on the cover of Applied Arts magazine. Recently, the Canadian Museum of History acquired a poster he designed for their permanent collection. Michael also takes great pride in leading McMillan's acclaimed intern program, helping mentor young designers in our industry.

Judging Process

All work is entered digitally and judged digitally. There are no hard copies. Therefore, please read our Helpful Tips, in the 2020 Entry Kit to ensure that you prepare your work to be viewed in the best possible way.

A separate jury of senior creatives is chosen for each competition and does not include anyone from Applied Arts staff. All Judges must be invited.

The judges are divided into groups, with each viewing a different and random group of entries. Each judge reviews and scores entries separately. Judges do not confer or discuss their work, and there is only one round of judging.

Entries are given one total score, based on three criteria only:

  1. Creative merit
  2. Technical excellence
  3. Suitability for end use in the category into which it is entered

NOTE: Entries submitted to the high school categories are judged with the level of experience and available resources taken into consideration.

Judging FAQ

Will the judges see my descriptions during the judging? Judges do not see the creative descriptions you have entered. These are only for publishing in the Awards Annual and online Winners Gallery. If you feel your submission needs a description, you may include a short description with your assets (no more than 50 words or 10s for broadcast/video).


Extended Deadline: May 29, 2020

We can grant short extensions, but we cannot guarantee one. Endeavour to have your entry finalized by the posted deadline date.


The student competition is international and open to post-secondary (under-graduate and graduate studies) and high-school students. Only digital entries are accepted for this competition.

High-school students may only apply to the high-school categories. The rest of the categories are for post-secondary students.

You may submit any work completed either as a school requirement or independently (personal work) during the course of your studies, during any year of your schooling, as long as you have not submitted the work to the Student Awards competition before.

If you graduated from a post-secondary school within the past year, you may submit work completed during your studies to the 2020 Student Awards.

Eligibility FAQ

I'm a high school student. Can I enter? Yes. There are a limited number of categories available for high-school students in the Student Awards competitions. The rest of the categories are open only to post-secondary students attending a college, university or other type of art school.

I am currently studying a post-graduate/graduate program, am I still eligible to enter? Yes. You are still eligible to enter the Student Awards competition.

Am I still eligible to enter if I recently graduated? If you've graduated in the past year you are still eligible to enter the Student Awards. You may also qualify to submit work to the Young Blood categories in the professional competitions. Please see the specific discipline for eligibility.

Entry Fees

Entry fees vary per sub-category and category. Please be sure to download the 2020 Student Awards Categories Kit for detailed pricing.

Single: $30
Series (up to three images): $40
Campaign: $45

Single: $30
Series (up to three images): $40
Complete Series (up to 6 images per piece): $45
Campaign: $45

Digital & Gaming
Single: $40

Photography & Illustration
Single: $30
Series (up to five images): $40

High School
Single/Series: $20


For the full list of Student categories, download our Applied Arts Category Kit.

Categories FAQ

Can I enter a piece in multiple categories? Yes. In your account on the My Entries home page, click "Copy" on any entry you've created. Or, after you've finished an entry, click "Submit in another category" and a duplicate entry will be created with all the same information. Be sure to change the discipline and entry category to the new one you want to submit to.

Which category does my entry belong in? Often the best way to understand a category is to see previous work that won in that category. Check our online Winner's Gallery for examples. If you still have questions regarding our categories or require assistance in selecting the appropriate category, contact

NOTE: Applied Arts reserves the right to move an entry to another category if we feel it unsuitable or incorrectly categorized.

Is my entry a single or a series? A single means one piece, and series means you are submitting more than one piece of the same project to a maximum of five. If an entry contains more than the specified images, we will either contact you to split the submission into multiple entries, or choose which ones will be judged, so it's best to stick to the indicated numbers for single or series.

What is a Complete Single/Complete Series: 'Complete' refers to a multiple-page entry, such as a book or a publication. More images are typically required to properly show it and judge it.

Entry Material Requirements

All entries are submitted digitally only. Hi-res, final files are to be submitted for judging. These files will be used for publication, if selected for the Annual.

Acceptable formats:

Please also review the SUPPORTING FILES section below.


Motion / Online Video / Broadcast Video

File Limitations

Single – One piece. Maximum of 1 file can be uploaded.
Series – 2-3 pieces from the same project. Maximum of 3 files may be uploaded.
Complete Series – 2-3 books/publications. Upload up to 3 files, with up to 6 pages per each book.
Campaign – Up to 6 pieces from an entire campaign. A maximum number 6 files can be uploaded.

NOTE: URLs with links to the work counts towards one file upload.

French or other languages: you must submit a translation to English with your entry files for judging purposes. Upload the supporting documents to the supporting documents sub-section of the ENTRY MATERIALS section (Step 4 of the entry form).

Helpful Tips

Multiple-page PDFs are preferred over multiple, individual JPG files.

Use a multi-page PDF to ensure the judges can easily get the full picture, at a glance, on screen. We recommend entries be curated to the maximum number of images indicated for each category, except in the following instances: show inside pages, multiple views of 3D pieces and zoom in on small print or details. Also show work in the context of how it was seen by the audience, especially in cases for advertising work.

Including English translations or descriptions for judges within your multi-page PDF makes it easier for judges.

Look at your entry on a smaller-screen desktop. A judge may be viewing it at that size, so take that into consideration and show zoom-ins on detail.

Entry Material FAQ

Can I submit a hard copy or disk? No. Only digitally-uploaded entries are accepted.

The program crashed. Did I lose everything? No - you will be saving your work as you go through each section of the entry form. If the program crashes as you are completing a certain section, it may not have saved.

The file I uploaded won't show me a preview. Why? You may not see the image preview if you haven't followed the specs outlined in ENTRY MATERIAL REQUIREMENTS. Check your file and re-upload. If you continue to experience difficulties, contact

I uploaded the wrong file. Can I change it? Yes. You can resubmit images at any time until payment is made. Click the 'Remove' beside the appropriate file and re-upload your image. Note: Thumbnail images may not correctly display your new image. You may need to close your browser and log back into my entries for the changes to show.

Winners Details

On the online entry form the fields for the Winners Information, Description of Entry and Creative Credits are for publication use only and are not visible to the judges. Please review this information carefully – it will be published if your entry wins.

Winners' Information
The 'Winner' field is the primary individual you want to be credited on the project.

Description of Entry: The intention of the description is to provide an overall creative summary of the entry piece or project to be printed in the Annual. The description is limited to a maximum of 500 characters (including spaces).

Helpful Tips

Descriptions for the judges are not recommended, except where specifically noted. The judges do not see the typed Description of Entry – they are for publication in the Annual. If you feel strongly that judges need a description/explanation, it must be added into your image files, but please limit it to 50 words or a max 10-second intro for video/broadcast.

Case-study videos/boards are not recommended. Outcomes are not a criteria for judges in scoring. If you wish to include, upload them within the entry.

Creative Credits

Credits are a summary of the individuals or companies that have worked on the project.

A credit can be designated with an individual's name or an organization. A credit role is a job function (i.e. instructor, school, or program).

IMPORTANT NOTE: A maximum of six credit roles will be published in the Annual, however, all creative credits you entered will appear in the online Winners Gallery.

REMINDER: The WINNERS' INFORMATION (including the Description of Entry) and CREATIVE CREDITS should be entered at the time of submission, as we only allow for a very short window of time to edit or add these once winners are notified.

How To Enter

The Entry Form consists of five steps. You will have the option to save your progress during each step of the process.

Create your 'MY ENTRIES' Account.

This is your Applied Arts Awards account for all Awards competitions. Once logged in you can edit your personal information, add, copy or edit entries and pay for entries.

Bookmark for easy access to your account later.

When setting up your 'My Entries' awards account be sure to provide a phone number and email address that you access regularly outside of school. All winners will be notified in late July, so it is crucial that you are available to provide any additional images or information we may need for the Awards Annual.

NOTE: If you've entered the Applied Arts Awards 3 years, please use the email address associated with your account.

ALL entrants must complete an online entry form in My Entries, regardless of payment method, to be eligible for entry.

Step 1: Entry Information

Select from one of the Awards competitions, choose a category and add your entry title.

Step 2: Entry Materials

Entry format: All entries are to be submitted digitally only. High-resolution, final files are to be submitted for judging. These files will also be used for publication. See ENTRY MATERIAL REQUIREMENTS section above for full details and helpful tips.

File Limitations

Single – One piece. Maximum of 1 file can be uploaded.
Series – 2-5 pieces from the same project. Maximum of 3 files may be uploaded.
Complete Series – 2-3 books/publications. Upload up to 3 files, with up to 6 pages per each book.
Campaign – Up to 6 pieces from an entire campaign. A maximum number 6 files can be uploaded.

*Multiple file formats accepted together in one entry. Note: a URL is considered one file.

Step 3: Winners' Information

Everything entered in this section is for publication only and is not visible to the judges. Please review it carefully. There will only be a short window of time to edit this information after the Winners have been notified.

The 'Winner' field is the primary individual you want to be a credited on the piece.

Optional fields: Phone, email, web address and winning URL (to direct readers and visitors to view the winning work in its entirety - typically, for motion and video entries). If these are entered, they will be published beside your winning work.

NOTE: We recommend including the URL as we don't upload the MP3 & MP4 files directly for viewing in the Winners Gallery; they are only used for judging.

Description of entry: For the purpose of providing an overall creative summary of the project in the Annual. The description is limited to a maximum of 500 characters (includes spaces).

NOTE: Descriptions are for publication use only and are not shown to the judges. Descriptions you wish to share with the judges must be included with your uploaded files.

Step 4: Creative Credits

Credits are a summary of the individual or organization that have worked on the project. (i.e. instructor, school, or program).

The first 6 credit roles you enter will be published in the Annual. Any/all additional credit roles will appear online in the Winners Gallery.

Credits automatically get saved to your account to be used for any competition. You can either select a saved credit for your entry or you can add a new credit. To change the order of the credits, change the number from the sort column and select 'Update Sort' when you are finished.

NOTE: It is recommended that credits be completed at the time of submission. Please review your credits preview carefully, particularly the credits to be the printed in the Annual. If your entry is selected to be published in the Annual there will be a very limited time period to edit or add to your credits.

Step 5: Certificate information

You will receive one certificate for each winning entry. Complete the winning company/individual and/or client you wish to appear on the certificate. The entry title and the category the project won in will also be included on the certificate. You will have the opportunity to order additional certificates once winners have been notified.

A submitted entry is not final and entered in the competition until you pay for it. You may edit an entry at any time until it's been paid. Once payment has been processed, it is final.

Payment & Refunds

Entry fees vary. Check each Awards competition for entry fees. Only once you have paid for an entry is it considered final and officially entered and cannot be changed. You can pay for all or only some of your entries at any given time – just select which entries you want to pay for.

The payment option is on the My Entries home page. Payments can be made by Interac, Visa, MasterCard or American Express (Amex on Canadian payments only at this time). For U.S. and foreign entries, submit fees in US funds.

We only accept cheque or direct deposit in special circumstances. These cases must be pre-approved. Contact with your request.

If you are entering a piece as both a Single and as part of a Series, ensure there are two separate entries on My Entries—one for the Series and one for the Single. Keep a record of your submissions.

Payment FAQ

Can I submit more entries after paying? Yes. In My Entries, you will have the opportunity to submit additional entries even if others already entered have been paid. This will simply generate a new confirmation email when you complete your entries with payment.

I want to change something after I've paid. What do I do? Once an entry is paid, you cannot change the category, entry format, entry title, description of entry or creative credits. A paid entry is final, so check it carefully before proceeding to the payment fields. If declared chosen a winner, you will be given a small window of time to add or edit information.

Can I get a refund? Entries are non-refundable; costs cover administration, processing and the judging of the entry. A submission of entry acknowledges acceptance of these rules.

I'm getting error messages when I try to pay. What do I do? If you entered your payment information incorrectly on your first attempt, any subsequent attempts would be declined, even if you change your payment type. Close your browser and log back into My Entries. You should now be able to proceed with payment. If you continue to experience difficulties, contact

How do students enter and pay? Students can enter on their own, or teachers may submit on their behalf. If you are a teacher with a large volume of student entries to submit and would like to organize payment through your school, you can contact for a School Group Code. Students submitting their entry must complete an online entry form (including final description of entry and creative credits, which will be published if the entry wins), upload the corresponding images, then select 'School Code' under Payment Method to finalize the entries. Once all students have submitted their entries, contact us with your School Group Code so that we can process your payment for the group.


All entrants will be notified by mid-July 2020 via email. At that time, you will have a very short window of time to correct or finalize any creative credits and descriptions that you did not complete when entering.

To ensure you don't miss the results notifications, add to your address book.

Winners FAQ

What do winners receive?

  • Your work published in print in the Fall 2020 issue
  • A complimentary copy of the Fall 2020 issue
  • Your work published online in our Winners Gallery
  • A personalized, awards certificate for every winning entry, signed by Georges Haroutiun, the founder and art director of Applied Arts.
  • The ability to share your winning entries in a digital tear sheet format directly from our online Winners Gallery


  • Order additional certificates for your creative team, client, etc. with an option to order a plaque-mounted certificate
  • Order additional copies of the Awards Annual at a discount price
  • Order a personalized, engraved award trophy. This attractive Lucite cube is 3.5x3.5x3.5" square inches.

*Additional fees apply

If I win, what image will you use for reproduction? We will use the image(s) you submitted on entry. In the case of series, complete, campaign or motion, we select a sampling at our discretion from the images submitted.

What rights do I retain if my work is chosen? You retain all rights to your images. Upon entry, you will need to grant us the rights to reproduce the image or images for both our online gallery and print edition.


Questions? If you've checked all of the above sections and cannot find the answer to your question, or if you are having difficulty entering, contact


Applied Arts reserves the right to amend these rules throughout the competition. Applied Arts assumes all entries are original and the property of the entrant, with all rights granted therein. Applied Arts reserves the rights to publish or exhibit entries for our print or electronic formats, or related promotions. Entries are non-refundable. Costs cover administration, processing and the judging of the entry. All descriptions and credits are subject to editing for length, clarity and grammar in accordance with the Applied Arts editorial style guide. A submission of entry acknowledges acceptance of these rules.