To All Awards

2025 Design Awards

Call for Entry: November 25, 2024 - March 21, 2025
Eligibility Period: March 2024 - March 2025
Results Notification: Mid–March 2025

Elevate your work

Have your work seen by the best of the best. An international jury of design professionals will select the 2025 Design Awards winners.

Winning an Applied Arts Design Award can lead to new business, a career shift, and, most importantly, creative recognition across the industry. Winning entries will be published in the Design Awards Annual, alongside the 2025 Photography & Illustration winners, online in the Winners Gallery and the Awards archive.

International design studios and designers are eligible to enter their latest corporate design, interactive, editorial, packaging, promotional, and web/digital work into the 2025 Design Awards competition.

Enter today to continue to set the creative bar.

For current students, you are ONLY ELIGIBLE to enter the Student Awards Competition where work is judged alongside your peers at a similar level of experience.

2025 Call for Entry Kit 2025 Design Awards Categories Kit Awards Entries


Enter Now


Design Awards Jury

Our Design Awards jury panel consists of 16 award-winning creatives working in the design industry today, both in Canada and abroad. They lend us their discerning eye and expertise and, in so doing, enable us to celebrate the best design in all its facets—whether editorial or environmental design. With their help, we continue to spotlight the best of the best.

Lisa Carrana
HEAD OF DESIGN
MCCANN LONDON
London, UK

Lisa started her career in a small design agency in Peckham, South London, and from there, she worked at various design and branding agencies. A few years ago, Lisa walked into McCann London as a freelancer and soon realized that she had found a new creative home. She was given a unique opportunity to bring her design and brand knowledge to advertising. She now heads up an exciting, creative, and ambitious design team. She has had a diverse career working with some amazing people and brands, creating design and art direction for Adidas, Just Eat, Chivas Regal, xBox, Vodafone, eBay and many more.

Olivia Chan
SENIOR DESIGNER
PORTA ROCHA
New York, NY

Olivia is an interdisciplinary art director and designer based in Montreal. Her work has been distinguished by her versatility and her seamless integration of various visual identity elements. She boldly experiments and leads projects that include typography, design systems, motion design, 3D, photography, and videography to create cohesive yet unexpected visual narratives. Olivia's portfolio includes collaborations with clients such as FIFA, Fondation du MAC, Red Bull Music Academy, Cirque du Soleil, Yatai Montréal, Youth to the People, and the Montreal Jazz Festival, among others.

Morgan Curley
PARTNER, CREATIVE DIRECTOR
PUBLIC EYE
Calgary, AB

Morgan is the co-founder of Public Eye, a Calgary-based branding agency with over 30 awards and features to her name. Alongside Marc Husted, she established the agency to craft characterful brand identities for hospitality and packaged goods companies that deserve to stand out. With over a decade of experience, Morgan has demonstrated a sharp strategic mindset as a designer, delivering clarity, transformation, and a touch of wit to every project.

Charles Daoud
GRAPHIC AND TYPE DESIGNER, ART DIRECTOR
CHARLES DAOUD STUDIO
Montreal, QC

Charles Daoud is an award-winning graphic and type designer specializing in branding, typography, and web design. Based in Montreal. Charles is internationally recognized for his work with major clients, such as Netflix, as well as local brands like État de choc. His innovative typefaces, including the widely popular Dense, have been downloaded by millions of users and are staples of the design community. In 2017, he led the development of the Radio-Canada typeface, in collaboration with the public broadcaster – a project that earned him a Grafika Grand Prix and landed the cover of the Communication Arts Typography Annual.

Roger Dario
EXECUTIVE CREATIVE DIRECTOR
TENDRIL
Toronto ON

Roger Dario is a multidisciplinary creative director and designer in Toronto with 15 years of experience. Currently an executive creative director at Tendril, he leads projects in film, computer generated imagery, graphic design, campaigns, and installations, serving audiences in media, fashion, music, beauty, and technology. Select clients include Adidas, Apple, Cartoon Network, Donald Glover, eBay, Estée Lauder, Google, Hublot, Instagram, Microsoft, Oculus, and Spotify. He has received 77 major awards including Webby, Cannes Lions, One Show, Clios, ADC, and D&AD.

Clea Forkert
CREATIVE DIRECTION AND DESIGN
Toronto, ON

Clea Forkert is a Toronto-based creative director and designer largely focused in the broad sector of culture. She is currently freelancing with some of Toronto's top branding agencies. She has received extensive recognition both in North America and in Europe including Gold, Silver and Scarlet Letter awards from the The Advertising Club of Canada, Gold and Silver awards from Graphis, Creative Review, the Type Directors Club of New York and the American Institute for Graphic Arts. Her clients include Mountain Equipment Company, Google, YouTube, Scotiabank Nuit Blanche, The National Gallery, AGO and University of Toronto.

Marie-France Gaudet
CO-FOUNDER, ART DIRECTOR
SUPERSYSTÈME
Montreal, QC

Marie-France Gaudet is a Montreal-based graphic designer, co-founder, and creative director at Supersystème. She has over a decade of experience working for institutions and individuals mainly within the arts and culture fields. Her work on books, visual identities, and website projects showcases a distinct and strong emphasis on typography and design systems. Her work was recognized by the ADCC, IDEA, Type Director Club, D&AD and more.

Liz Gosselin
CREATIVE DIRECTOR
R&G
Halifax, NS

Liz's belief that a better planet is possible through design led her to co-found R&G, a BCorp and one of the world's leading sustainability agencies for brands building a better world. Listed as one of Corporate Knights 30 Under 30 Sustainability leaders, she is one of Canada's foremost leaders in the creative and sustainability communications space. Liz has received many awards, from a Gold ICE award for creative, purpose-led brand design to a Diversity Award from Digital Nova Scotia, and is the recipient of a UN Global Compact Sustainable Development Goal Award for her contribution toward Goal 17: revitalizing global partnerships for sustainable development.

Pum Lefebure
CO-FOUNDER, CHIEF CREATIVE DIRECTOR
DESIGN ARMY
Washington, DC

Pum Lefebure is the co-founder and chief creative officer of Design Army in Washington, DC. An award-winning creative director and savvy business leader, she has developed numerous international campaigns for high-profile clients such as Adobe, MORPHE, Netflix, Neenah Paper, The Ritz-Carlton, PepsiCo, Saucony, Hong Kong Ballet, and the Smithsonian. Born in Thailand, Pum brings a global sensibility to American design—a creative point of view that draws from different cultures and resonates with diverse audiences. Pum has elevated Design Army's reputation as a trendsetter while establishing her own hallmark: a distinctive union of the artistic and the commercial. With a rare balance of creativity, strategic thinking, and industry savvy, she has proven that good design is the cornerstone of good business. Her work has earned a plethora of awards, including Cannes Design Lion, D&AD, One Show, ADC, AIGA, and TDC, and has lectured and led workshops around the world.

Vivienne McCarley
SENIOR DESIGNER & ART DIRECTOR
SID LEE
Toronto, ON

Vivienne, OCAD graduate, is a senior art director and designer based in Toronto with 10 years of experience seamlessly alternating between the two roles in the Ad world. She graduated OCAD University with a BDes in 2014 where she was also a tutor and XPACE Cultural Center instructor. She started agency life at Sid Lee Toronto in 2016 and has called it home ever since. Diverse clients have included: Klarna, RGD, Marshalls, Homesense, Harry Rosen, PC Financial, Maple Leaf Foods, H&R Block - and countless pro-bono passion projects. Special interest in experimental typography, analog production methods, pattern and textile design.

Pete Nguyễn
CO-FOUNDER / CHIEF CREATIVE OFFICER
SEA CHANGE BREWING CO AND SHIDDY'S DISTILLING
Edmonton, AB

As co-founder of Sea Change Brewing Co. and Shiddy's Distilling, Pete Nguyen brings his bold and irreverent style to building unique, successful businesses led by creative. His award-winning work spans murals, storytelling, branding, and product design. Beyond his entrepreneurial ventures, Pete is deeply involved in community-based collaborations, contributing to initiatives that foster connection and creativity in his hometown of Edmonton, Alberta, Canada.

Sébastien Paradis
PARTNER & DESIGN DIRECTOR
CASERNE
Montreal, QC

Sébastien is partner and design director at Caserne. His approach focuses on concept-driven design with a strong emphasis on typography. Influenced by skateboarding culture and modernism, his work has earned numerous awards, including the renowned Type Directors Club Ascender title in 2024. Sébastien leads the design and branding projects, shaping the studio's creative vision through its portfolio and communications. In 2022, he co-founded Forum, an annual three-day design event featuring international guests.

Damian Simev
DIGITAL DESIGN DIRECTOR
ZULU ALPHA KILO

For over 15 years, Damian has been turning big ideas into designs people love and businesses thrive on. Whether shaping innovative brands or perfecting digital products, he embraces collaboration, creativity and problem-solving in every project. Inspired by the arts, fuelled by tech, and grounded in simplicity, Damian keeps his approach fresh, thoughtful, and effective—earning recognition and building lasting partnerships along the way.

Hans Thiessen
PARTNER & EXECUTIVE CREATIVE DIRECTOR OF DESIGN
RETHINK
Vancouver, BC

Hans leads the design team at Rethink – Cannes Lions Independent Agency of the Year, one of Fast Company's Top 10 Most Innovative Creative Agencies, and Canada's top Creative & Design agency six years in a row and counting. Hans has had the pleasure of working with a wide range of global brands (including Kraft Heinz, Uber Eats, Mattel, EA, Arc'teryx), non-profits, and household names in the making. His work has been recognized with a variety of awards (including a D&AD Black Pencil), press (from Rolling Stone to Ripley's Believe It or Not), and the occasional cease and desist letter.

Dave Watson
HEAD OF DESIGN
BROKEN HEART LOVE AFFAIR
Toronto, ON

If it seems like Dave has a feel for the rhythms of visual communication, it comes to him naturally. A born lover of music, his dreams of playing drums for the Rolling Stones were crushed at an early age. However, he quickly rebounded and turned his attention to design. For the past 25 years, Dave has honed his craft at some of Canada's top agencies, including TAXI, Mosaic, and now Broken Heart Love Affair. His work for brands such as Anheuser-Busch, MINI, Nike, and TELUS has earned over 200 accolades at design award shows, both nationally and globally. Dave is a true idea man. He believes that while visual and tech trends may come and go, good ideas are timeless. At BHLA, he brings this philosophy to life, helping clients transform their businesses. At least, that is—until he gets a call from the Stones.

Jonathon Yule
DIRECTOR OF DESIGN
CONCRETE
Toronto, ON

Jonathon Yule is currently the director of design at Concrete in Toronto. Jonathon is focused on inventing, reinventing and re-establishing brands across Canada and the world. Distilled strategy, refined craft and a passion for custom typography are the foundation of Jonathon's work.

Lisa Carrana
HEAD OF DESIGN
MCCANN LONDON
London, UK

Lisa started her career in a small design agency in Peckham, South London, and from there, she worked at various design and branding agencies. A few years ago, Lisa walked into McCann London as a freelancer and soon realized that she had found a new creative home. She was given a unique opportunity to bring her design and brand knowledge to advertising. She now heads up an exciting, creative, and ambitious design team. She has had a diverse career working with some amazing people and brands, creating design and art direction for Adidas, Just Eat, Chivas Regal, xBox, Vodafone, eBay and many more.

Olivia Chan
SENIOR DESIGNER
PORTA ROCHA
New York, NY

Olivia is an interdisciplinary art director and designer based in Montreal. Her work has been distinguished by her versatility and her seamless integration of various visual identity elements. She boldly experiments and leads projects that include typography, design systems, motion design, 3D, photography, and videography to create cohesive yet unexpected visual narratives. Olivia's portfolio includes collaborations with clients such as FIFA, Fondation du MAC, Red Bull Music Academy, Cirque du Soleil, Yatai Montréal, Youth to the People, and the Montreal Jazz Festival, among others.

Morgan Curley
PARTNER, CREATIVE DIRECTOR
PUBLIC EYE
Calgary, AB

Morgan is the co-founder of Public Eye, a Calgary-based branding agency with over 30 awards and features to her name. Alongside Marc Husted, she established the agency to craft characterful brand identities for hospitality and packaged goods companies that deserve to stand out. With over a decade of experience, Morgan has demonstrated a sharp strategic mindset as a designer, delivering clarity, transformation, and a touch of wit to every project.

Charles Daoud
GRAPHIC AND TYPE DESIGNER, ART DIRECTOR
CHARLES DAOUD STUDIO
Montreal, QC

Charles Daoud is an award-winning graphic and type designer specializing in branding, typography, and web design. Based in Montreal. Charles is internationally recognized for his work with major clients, such as Netflix, as well as local brands like État de choc. His innovative typefaces, including the widely popular Dense, have been downloaded by millions of users and are staples of the design community. In 2017, he led the development of the Radio-Canada typeface, in collaboration with the public broadcaster – a project that earned him a Grafika Grand Prix and landed the cover of the Communication Arts Typography Annual.

Roger Dario
EXECUTIVE CREATIVE DIRECTOR
TENDRIL
Toronto ON

Roger Dario is a multidisciplinary creative director and designer in Toronto with 15 years of experience. Currently an executive creative director at Tendril, he leads projects in film, computer generated imagery, graphic design, campaigns, and installations, serving audiences in media, fashion, music, beauty, and technology. Select clients include Adidas, Apple, Cartoon Network, Donald Glover, eBay, Estée Lauder, Google, Hublot, Instagram, Microsoft, Oculus, and Spotify. He has received 77 major awards including Webby, Cannes Lions, One Show, Clios, ADC, and D&AD.

Clea Forkert
CREATIVE DIRECTION AND DESIGN
Toronto, ON

Clea Forkert is a Toronto-based creative director and designer largely focused in the broad sector of culture. She is currently freelancing with some of Toronto's top branding agencies. She has received extensive recognition both in North America and in Europe including Gold, Silver and Scarlet Letter awards from the The Advertising Club of Canada, Gold and Silver awards from Graphis, Creative Review, the Type Directors Club of New York and the American Institute for Graphic Arts. Her clients include Mountain Equipment Company, Google, YouTube, Scotiabank Nuit Blanche, The National Gallery, AGO and University of Toronto.

Marie-France Gaudet
CO-FOUNDER, ART DIRECTOR
SUPERSYSTÈME
Montreal, QC

Marie-France Gaudet is a Montreal-based graphic designer, co-founder, and creative director at Supersystème. She has over a decade of experience working for institutions and individuals mainly within the arts and culture fields. Her work on books, visual identities, and website projects showcases a distinct and strong emphasis on typography and design systems. Her work was recognized by the ADCC, IDEA, Type Director Club, D&AD and more.

Liz Gosselin
CREATIVE DIRECTOR
R&G
Halifax, NS

Liz's belief that a better planet is possible through design led her to co-found R&G, a BCorp and one of the world's leading sustainability agencies for brands building a better world. Listed as one of Corporate Knights 30 Under 30 Sustainability leaders, she is one of Canada's foremost leaders in the creative and sustainability communications space. Liz has received many awards, from a Gold ICE award for creative, purpose-led brand design to a Diversity Award from Digital Nova Scotia, and is the recipient of a UN Global Compact Sustainable Development Goal Award for her contribution toward Goal 17: revitalizing global partnerships for sustainable development.

Pum Lefebure
CO-FOUNDER, CHIEF CREATIVE DIRECTOR
DESIGN ARMY
Washington, DC

Pum Lefebure is the co-founder and chief creative officer of Design Army in Washington, DC. An award-winning creative director and savvy business leader, she has developed numerous international campaigns for high-profile clients such as Adobe, MORPHE, Netflix, Neenah Paper, The Ritz-Carlton, PepsiCo, Saucony, Hong Kong Ballet, and the Smithsonian. Born in Thailand, Pum brings a global sensibility to American design—a creative point of view that draws from different cultures and resonates with diverse audiences. Pum has elevated Design Army's reputation as a trendsetter while establishing her own hallmark: a distinctive union of the artistic and the commercial. With a rare balance of creativity, strategic thinking, and industry savvy, she has proven that good design is the cornerstone of good business. Her work has earned a plethora of awards, including Cannes Design Lion, D&AD, One Show, ADC, AIGA, and TDC, and has lectured and led workshops around the world.

Vivienne McCarley
SENIOR DESIGNER & ART DIRECTOR
SID LEE
Toronto, ON

Vivienne, OCAD graduate, is a senior art director and designer based in Toronto with 10 years of experience seamlessly alternating between the two roles in the Ad world. She graduated OCAD University with a BDes in 2014 where she was also a tutor and XPACE Cultural Center instructor. She started agency life at Sid Lee Toronto in 2016 and has called it home ever since. Diverse clients have included: Klarna, RGD, Marshalls, Homesense, Harry Rosen, PC Financial, Maple Leaf Foods, H&R Block - and countless pro-bono passion projects. Special interest in experimental typography, analog production methods, pattern and textile design.

Pete Nguyễn
CO-FOUNDER / CHIEF CREATIVE OFFICER
SEA CHANGE BREWING CO AND SHIDDY'S DISTILLING
Edmonton, AB

As co-founder of Sea Change Brewing Co. and Shiddy's Distilling, Pete Nguyen brings his bold and irreverent style to building unique, successful businesses led by creative. His award-winning work spans murals, storytelling, branding, and product design. Beyond his entrepreneurial ventures, Pete is deeply involved in community-based collaborations, contributing to initiatives that foster connection and creativity in his hometown of Edmonton, Alberta, Canada.

Sébastien Paradis
PARTNER & DESIGN DIRECTOR
CASERNE
Montreal, QC

Sébastien is partner and design director at Caserne. His approach focuses on concept-driven design with a strong emphasis on typography. Influenced by skateboarding culture and modernism, his work has earned numerous awards, including the renowned Type Directors Club Ascender title in 2024. Sébastien leads the design and branding projects, shaping the studio's creative vision through its portfolio and communications. In 2022, he co-founded Forum, an annual three-day design event featuring international guests.

Damian Simev
DIGITAL DESIGN DIRECTOR
ZULU ALPHA KILO

For over 15 years, Damian has been turning big ideas into designs people love and businesses thrive on. Whether shaping innovative brands or perfecting digital products, he embraces collaboration, creativity and problem-solving in every project. Inspired by the arts, fuelled by tech, and grounded in simplicity, Damian keeps his approach fresh, thoughtful, and effective—earning recognition and building lasting partnerships along the way.

Hans Thiessen
PARTNER & EXECUTIVE CREATIVE DIRECTOR OF DESIGN
RETHINK
Vancouver, BC

Hans leads the design team at Rethink – Cannes Lions Independent Agency of the Year, one of Fast Company's Top 10 Most Innovative Creative Agencies, and Canada's top Creative & Design agency six years in a row and counting. Hans has had the pleasure of working with a wide range of global brands (including Kraft Heinz, Uber Eats, Mattel, EA, Arc'teryx), non-profits, and household names in the making. His work has been recognized with a variety of awards (including a D&AD Black Pencil), press (from Rolling Stone to Ripley's Believe It or Not), and the occasional cease and desist letter.

Dave Watson
HEAD OF DESIGN
BROKEN HEART LOVE AFFAIR
Toronto, ON

If it seems like Dave has a feel for the rhythms of visual communication, it comes to him naturally. A born lover of music, his dreams of playing drums for the Rolling Stones were crushed at an early age. However, he quickly rebounded and turned his attention to design. For the past 25 years, Dave has honed his craft at some of Canada's top agencies, including TAXI, Mosaic, and now Broken Heart Love Affair. His work for brands such as Anheuser-Busch, MINI, Nike, and TELUS has earned over 200 accolades at design award shows, both nationally and globally. Dave is a true idea man. He believes that while visual and tech trends may come and go, good ideas are timeless. At BHLA, he brings this philosophy to life, helping clients transform their businesses. At least, that is—until he gets a call from the Stones.

Jonathon Yule
DIRECTOR OF DESIGN
CONCRETE
Toronto, ON

Jonathon Yule is currently the director of design at Concrete in Toronto. Jonathon is focused on inventing, reinventing and re-establishing brands across Canada and the world. Distilled strategy, refined craft and a passion for custom typography are the foundation of Jonathon's work.

Judging Process

All work is entered and judged digitally. There are no hard copies. Therefore, please read our RECOMMENDED BEST PRACTICES, under the ENTRY MATERIAL GUIDELINES section to ensure you submit your work properly for maximum impact.

The judges are divided into groups, with each viewing a different and random group of entries. Each judge reviews and scores entries separately. Judges do not confer or discuss the work and there is only one round of judging.

Entries are given one total score, based on three criteria only:

  1. Creative merit.
  2. Technical excellence.
  3. Suitability for end use in the category it was submitted to.

NOTE: Entries submitted to the Young Blood categories are judged with the level of experience and/or available resources taken into consideration.


Eligibility

Open internationally to all forms of commissioned, published, unpublished and personal work from professionals and enthusiasts created between March 2024 and March 2025 (but not entries that have been submitted into last year's competition). Only digital entries are accepted for this competition.

Young Blood
For professionals that have graduated within the last five (5) years. Work submitted to the Young Blood categories can be from any application from the Professional groupings of categories.

Students
Students are only eligible to enter the Student Awards competition, a stand-alone awards competition for students studying in a creative arts program at the post-secondary or high school level. Work from any year of study is eligible and may be entered up to one year after graduation. Visit Student Awards for eligibility and deadlines.


Categories & Entry Fees

Entry fees vary per sub-grouping and category. Download the 2025 Design Awards Categories Kit for detailed pricing.

ENTIRE DESIGN PROGRAMS - $125
Cause-Related/Social Responsibility Program
Complete Brand Identity
Complete Rebrand Identity Program
Entire Design Program
Entire Packaging Design Program
Entire Promotional Design Program
Guerrilla Marketing Program
Pro Bono/PSA/Charity Design Program
Small Community/Business Design Program*

DESIGN – SINGLE: $65/SERIES: $85*
Annual Report
Brochure/Catalogues
Cause-Related Creative Response
Data Visualization
Environmental Design (Signage, Complete Environment, Experiential/Event)
Brand Identity (Logo design, Rebranded Logo and Applications)
Poster
Pro Bono/Public Service/Charity
Small Community/Business Design*
Unpublished/Personal

EDITORIAL DESIGN – SINGLE: $65/SERIES: $85*
Book Design
Publication Design

PACKAGING DESIGN – SINGLE: $65/SERIES: $85*
Beverages (Alcohol and Alcohol-Free)
Consumer Products
Food
Promotional
Rebrand
Retail Applications
Sustainable

PROMOTIONAL DESIGN – SINGLE: $65/SERIES: $85
Artist/Design Firm Promotions
Point-of-Sale Messaging
Premium/Gift Item
Promotional Collateral
Promotional Messaging

TYPOGRAPHY – SINGLE: $85/SERIES: $125*
Corporate Application
Digital Application
Environmental/Experiential Application
Motion Application
Packaging Application
Promotional Application

TYPEFACE DESIGN – SINGLE: $65/SERIES: $85

CRAFT – SINGLE: $65/SERIES: $85
Calligraphy/Hand Lettering
Motion/Animation
Illustration
Photography
Printing/Bindery/Finishing

DIGITAL DESIGN – CONTENT/WEBSITE SINGLE: $100
Content
Apps (Desktop, Mobile/Tablet)
Augmented & Virtual Reality
Editorial – Digital Editions
Experimental/Innovative
Gaming
Social/Viral Promotional
Self-promotion

Website
Business-to-Business
Consumer Products
Consumer Services
Commerce
Educational/Reference
Entertainment, Art & Tourism
Public Service/Charity
Self-Promotion

MOTION DESIGN – SINGLE: $100/SERIES: $150*
Educational and explanatory, social media, event or online graphics

YOUNG BLOOD - SINGLE: $50/ SERIES: $65/CAMPAIGN: $85

*Rates vary by sub-grouping and categories. Refer to the 2025 Design Categories Kit for details.


Entry Material Guidelines

Acceptable file formats and restrictions

STILLS

* Multipage PDFs are allowed and recommended over individual PDF or JPG files.

MOTION

RESTRICTIONS

Main Entry Files

REQUIRED
Main Entry File(s) must clearly show the images (ideally with no additional graphics) to be judged in hi-res format.

PERMITTED

SINGLE | 1 File

A single design unit – Such as an annual report, book/publication, multiple-page brochure, package, poster, environmental signage for an event/storefront, website, etc.

SERIES | 3 Files maximum

2 – 3 design units – Such as a family of logos, packages, posters.

CAMPAIGN | 9 files maximum

Up to 9 elements/units from an entire campaign or program to promote an event, brand, product, service or business.

*Exceptions are noted in specific categories.

NOTE ON MULTIPAGE PDFS: Recommended when incorporating any additional images into the maximum number of files allowed (e.g. the image in context, inside pages from a book, or multiple views of 3-dimensional entries such as packaging). It only counts as 1 file.

Support Files

Support Files are for clarity to assist the judges. They are not for publication (except where noted) and do not count towards the file limitations noted above. These files can be added to your main entry material or uploaded to the Supporting Materials of the ENTRY MATERIALS section. Only one file/URL may be uploaded.

REQUIRED
~ English translations for non-English entries: Include any important text (e.g. headlines and the entry title) either as a Support File or within a multipage PDF as your Main Entry File.

PERMITTED
~ Brief descriptions: Are recommended in cases where the use/intention is not obvious or to provide further clarity for the judges. Limit to 50 words in English (10-second intro for motion).
~ Case studies: Not recommended (as outcomes are not a consideration for judges in scoring), case studies can be added ONLY as a Support File and should be limited to max. 50 words in English (or up to 45s for videos). REMINDER: The actual creative is to be judged as your Main Entry File.

NOT PERMITTED
~ Uploading the same creative: Do not submit the same creative either as a file or URL if it's already been added as the Main Entry File.
~ Entrant information: Do not add a watermark that identifies the entrant on the Support files/URLs.

RECOMMENDED BEST PRACTICES

Judging is online. Here's how to help the judges:


How To Enter

The Entry Form consists of five (5) steps. You will have the option to save your progress during each step of the process.

Create your Account.

This is your Applied Arts account. To start entering or to review existing entries, go to My Account and click on the Awards Entries link. Account information can be edited by clicking the "Edit Profile" on the My Account homepage.

Bookmark https://www.appliedartsmag.com/myaccount/ for easy access to your account later.

NOTE: If you've entered the Applied Arts Awards previously, please use the email address associated with your account.

All entrants must complete an online entry form in Awards Entries, regardless of payment method, to be eligible for entry.

View a sample entry

Step 1: Entry Information

Select from one of the Awards competitions, choose a sub-group, category and your entry title.

Step 2: Entry Materials

Entry format: All entries are to be submitted in digital format. See ENTRY MATERIAL GUIDELINES section above for detailed specifications and helpful tips.

Step 3: Winners' Information

THIS SECTION IS FOR PUBLICATION ONLY AND IS NOT VISIBLE TO THE JUDGES. Please review the information carefully. After the winners have been notified, you will only have 48 hours to make edits.

The "Winner" field is the primary company or individual you want to be credited on the piece (i.e. company name, photographer, illustrator, Young Blood, etc.).

NOTE: In the instance that a team (e.g. AD & writer) worked together (typically for the Young Blood or Student categories), enter only the first individual of the team as in the "Winner" field. The other team member(s) should be added in the CREATIVE CREDITS section. (See Step 4: CREATIVE CREDITS for further explanation on how to enter additional names so that they are properly credited as "Winners").

Optional fields: Phone, email, web address, social handles, and the URL to the winning entry (typically, for websites and motion entries). If these are entered, they will be published beside your winning work.

NOTE: We recommend including the URL as, due to file sizes, we don't upload the MP4 files directly for viewing in the Winners Gallery. They are only used for judging.

Description of Entry: For the purpose of providing a brief creative summary of the project to be published beside your winning entry. The description is limited to a maximum of 500 characters (includes spaces).

NOTE: The "Descriptions of Entry" are for publication use only and are not shown to the judges.

Step 4: Creative Credits

Credits are a summary of the individual's or companies that have worked on the project.

A credit can be designated with an individual's name or an organization's. A credit role is a job function (e.g. Creative Director, or Production House). Multiple names can be assigned to one credit role (i.e. if you have two Creative Directors, they are counted as only one credit role).

A maximum of 6 creative credit roles will be published in the Annual, however, any/all creative credits you entered will appear in the online Winners Gallery.

IMPORTANT NOTES:

Step 5: Certificate information

Winners will receive one certificate for each winning entry. Complete the winning company/individual and/or client you wish to appear on the certificate. The entry title and the category the project won in will automatically be included on the certificate. You will have the opportunity to order additional certificates once winners have been notified.

NEXT: FINALIZING YOUR ENTRY
After Step 5, the entry form is complete. Press the "Save" button to return to the "Awards Entries" dashboard to submit a new entry, copy an existing entry to a new category, or submit payment.

IMPORTANT: A submitted entry is not final and entered in the competition until it's paid for. Entries may be edited until paid. Once payment has been processed, it is final and cannot be modified.

Enter Now


Payment & Refunds

Entry fees vary. Check the categories kit for entry fees. Once an entry is paid it is officially in the competition and cannot be modified.

Payments can be made by Visa, MasterCard or American Express (AmEx is for Canadian payments only at this time), or PayPal. US and international entry fees are payable in US funds.

We only accept cheques or direct deposits in special circumstances. These cases must be pre-approved. To request them, contact awards@appliedartsmag.com.

Entries are non-refundable. If an entry is submitted to the same category, entrants will have the option to move the entry to another category or enter new work in its place.

Keep a record of your submissions.


Winners

All entrants will be notified by late April 2025 via email. At that time, you will have only 48 hours to correct or finalize any creative credits and descriptions.

To ensure you don't miss the results notifications, add winners@appliedartsmag.com to your white list.

Award recipients will earn the following recognition for their outstanding work:

ADD-ON OPPORTUNITIES FOR WINNERS*

  • Order additional certificates for your creative team, client, etc. with an option to order a plaque-mounted certificate.
  • Order additional copies of the Awards Annual at a discounted price.
  • Order a personalized, engraved Awards trophy. This attractive and original Lucite AACE cube is 3.5x3.5x3.5 square inches.

*Additional fees apply


Frequently Asked Questions

Eligibility FAQ

Can students enter? No. Students may only enter the Student Competition. Go here for categories, eligibility and deadlines for the Student Awards competition.

Can I enter something I entered last year? Not in the same competition, but if it meets the eligibility period for a different competition, then yes.

Can I enter something in multiple Awards competitions? Yes. Each competition has different eligibility periods; please check each competition for eligibility requirements.

Judging FAQ

Will the judges see my descriptions during the judging? Judges do not see the creative descriptions you have entered. These are only for publishing beside your entry if chosen as a winner. If you feel judges need an explanatory note, you may include a brief description as a Support File (no more than 50 words or 10 seconds for broadcast/video).

Categories FAQ

Can I enter a piece in multiple categories? Yes. In your account on the Awards Entries home page, click "Copy" on any entry you've created. Be sure to change the discipline and/or entry category to the new one you want to submit to.

Which category does my entry belong in? Often the best way to understand a category is to see previous work that won in that category. Check our online winners Gallery for examples. If you still have questions regarding our categories or require assistance in selecting the appropriate category, contact awards@appliedartsmag.com.

NOTE: Applied Arts reserves the right to move an entry to another category if we feel it unsuitable or incorrectly categorized.

What is a single, series, and campaign? A single means one piece. Series means you are submitting more than one piece of the same project to a maximum of three (five pieces for the Photography & Illustration competitions). A campaign is up to nine pieces (six pieces for the Student competition). NOTE: Exceptions are noted in specific categories. If an entry contains more than the specified images, we will either contact you to split the submission into multiple entries, or choose which ones will be judged, so it's best to stick to the indicated number of pieces specified.

What is the Young Blood category? Young Blood is a series of categories open only to entrants who have been out of school for up to a certain number of years (three for the Photography and Illustration competitions and five for the Design and Advertising competitions). As with all categories, they are judged on creative excellence, technical merit and suitability for end use, but the jury also takes into account the level of professional experience. You will be required to specify the name of the Young Blood entrant to qualify.

Entry Material FAQ

At what specs do I need to submit my entry? Refer to ENTRY MATERIAL GUIDELINES section for specifications.

Can I submit a hard copy or disk? No. Only digital uploads are accepted.

The program crashed. Did I lose everything? No. You are saving your work as you go through each section of the entry form. If the program crashes as you are completing a certain section, it may not have been saved in that section.

The file I uploaded won't show me a preview. Why? You may not see the image preview if you haven't followed the specs outlined in ENTRY MATERIAL GUIDELINES. Check your file and re-upload. If you continue to experience difficulties, try clearing your browser history or contact awards@appliedartsmag.com.

I uploaded the wrong file. Can I change it? Yes. You can resubmit images at any time until payment is made. Click the "X" beside the appropriate file and re-upload your image.

NOTE: The thumbnail image may not correctly display your new image. If this happens close your browser and log back into "Awards Entries" for the changes to show. If you continue to experience difficulties, try clearing your browser history or contact awards@appliedartsmag.com.

Rights FAQ

Do I need to get the rights of the subjects or material used from external sources in my entry? It is the responsibility of the entrant to ensure copyright is not infringed. Upon entry you must grant us the rights to reproduce the image or images for both our online and print publications, so you would most likely need to have these rights in place to protect yourself. Although you do not need to send us a copy of the release forms, we do suggest that you have them. Entrants who request we don't run their winning work because they don't have the rights will not be refunded for their entry. NOTE: Student work is often exempt from copyright rules.

What rights do I retain if my work is chosen? You retain all rights to your images.

My client has revoked the right for me to enter work I've won for. What do I do? We do not issue refunds in these cases, but please contact awards@appliedartsmag.com if you need the entry removed from the Winners' pool.

Payment FAQ

Can I submit more entries after paying? Yes. In Awards Entries, you will have the opportunity to submit additional entries even if others already entered have been paid. This will simply generate a new confirmation email when you complete your entries with payment.

I want to change something after I've paid. What do I do? Once an entry is paid, you cannot change the category, entry title, entry format, winner's information, description of entry, or creative credits. A paid entry is final, so check it carefully before proceeding to the payment field. If chosen as a winner, you will be given a small window of time to add or edit information.

Can I get a refund? Entries are non-refundable; costs cover administration, processing and the judging of the entry. A submission of entry acknowledges acceptance of these rules.

My client has revoked the right for me to enter work I’ve already paid for. What do I do? We do not issue refunds, but contact awards@appliedartsmag.com if you need the entry removed from the judging or winners' pool.

I'm getting error messages when I try to pay. What do I do? If you entered your payment information incorrectly on your first attempt, any subsequent attempts would be declined, even if you change your payment type. Close your browser and log back into Awards Entries. You should now be able to proceed with payment. If you continue to experience difficulties, contact awards@appliedartsmag.com.

Winners FAQ

If I win, what image will you use for reproduction? We will use the image(s) you submitted on entry. In the case of series, complete, campaign, we select a sampling at our discretion from the images/files submitted. For digital or motion, we will contact you to provide us with final image selects.


Contact

Questions? If you've checked all of the above sections and cannot find the answer to your question, or if you are having difficulty entering, contact awards@appliedartsmag.com.


Disclaimer

Applied Arts reserves the right to amend these rules throughout the competition. Applied Arts assumes all entries are original and the property of the entrant, with all rights granted therein. Applied Arts reserves the rights to publish or exhibit entries for our print or electronic formats, or related promotions. Entries are non-refundable. Costs cover administration, processing, and the judging of the entry. Entries may be moved to a more suitable category, if Applied Arts deems the category chosen unsuitable. All descriptions and credits are subject to be edited for length, clarity and grammar in accordance with the Applied Arts editorial style guide. A submission of entry acknowledges acceptance of these rules.